By Melissa Harris
Aperture factor 201 (Winter 2010) comprises: Portfolios and Essays from Lynsey Addario and Elizabeth Rubin, Aïm Deüelle Lüski and Ariella Azoulay, Lucia Nimcova and Clare Butcher, Willy Ronis and Carole Naggar, Ben Sloat, Axel Hoedt and Magdalene Keaney, Roger Ballen and Walter Guadagnini.
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Extra info for Aperture - Winter 2010
Andre by Franz Xaver Winterhalter. ABOVE—Edouard LEFT—This portrait was inspired by Edouard Andre, a portrait of a French army officer painted in 1857 by Franz Xaver Winterhalter. (SUBJECT—Lt. Col. 6, 210mm) inspiration for this portrait was The Chess Players by Thomas Eakins. This painting is in the Metropolitan Museum of Art. When I see a portrait painting I like in a museum, I buy a postcard or book of the artist’s work for future reference. (SUBJECTS—Doctor Erick C. Eckman and his son Alex; DATE—2001; CAMERA—Mamiya RZ67; FILM—Fuji NPS, ISO 160; LENS— 65mm) ABOVE—The LEFT—The 36 CLASSIC PORTRAIT PHOTOGRAPHY Chess Players by Thomas Eakins.
I like to use slanted ground to pose people on; it allows me to get more interesting asymmetrical poses. This portrait was made 1 30 second, with a bare-bulb strobe set for f-8. (SUBJECT—The just before the sun went down. The exposure was f-8 at / Starer family; DATE—1995; CAMERA—Mamiya RZ67; FILM—Fuji NPH, ISO 400; LENS—65mm) THE TWILIGHT PORTRAIT 59 ABOVE—Mike (standing), Kathy (bottom right), and Paulie (bottom left) are my daughter Lisa’s children (my grandchil1 15 second at f-11. (SUBJECTS—The Herbert dren).
Aaron had a great sense of humor and a personality that sparkled. He was in his mid-eighties at the time and mentioned that he was going dancing after the exhibit reception was over. Five strobes were used. The fill light was a 31-inch umbrella placed behind the camera. The rest of the lights were 7-inch silver reflectors with barn doors—one main light (45 degrees to the right of the camera), two skim lights (135 degrees to his right and left rear), and one background light (from the left rear).